resCAM – Résidences pour les thèses en recherche-création 2026/2027
Until April 27th 2026
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Launch of the third call for projects for ‘Residencies for research-creation theses’ from resCAM, aimed at doctoral students from resCAM member universities. This call will award research grants of up to €1,500 for a 14-day residency at one of the research facilities of resCAM member universities.
Ruth GILLIGAN, in writing residency
Tuesday, 26 March (14:00 > 15:30) – Live Arts Lab, MaCI, UGA – Lecture (free admission)
Thursday, 26 March (9:00 > 12:00) – Room 209 – Creative Writing Workshop (registration required)
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Under the leadership of Marie Mianowski (ILCEA4), SFR Création is welcoming Ruth Gilligan, novelist and professor of creative writing at the University of Birmingham, for a writer-in-residence programme at the Maison de la Création et de l'Innovation (MaCI) in spring 2026, as part of its International Writing Residencies programme.
Comment publier la recherche-création ? Atelier d’expérimentation éditoriale avec Camille Bloomfield
Wednesday, 25 February 2026 (9:45 > 17:30) – MaCI, UGA
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Comment publier la recherche-création ? Atelier d’expérimentation éditoriale avec Camille Bloomfield
Maisons des histoires vécues, artistic residency exhibition
Friday, 30 January 2026, 12:30, 13:30, 14:30
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M2 students in the REACH minor's research-creation programme present the work they completed during a two-week research-creation residency at MaCI.
Flower extracts, film fragrances
Thursday, 15 January 2026 (8:30> 18:30)
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Transdisciplinary study day questioning the presence of flowers in culture and the arts – Organised by Fabienne Costa (Professor of Film Studies, UMR LITT&ARTS)
End-of-term performance by UGA arts and performing arts students: Le Misanthrope and Andromaque, Anadrame festival
8-9 January 2026, 18:00
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Public performances at the end of a week-long residency aimed at continuing the practical work carried out over the last two years as part of the Anadrame project. Focusing on the updating of dramatic texts from the ancient repertoire, Anadrame explores these bodies of work from the perspective of the relationship between adaptation and re-creation, the multiplicity of forms of choral speech, and the hybridity between genres.
Screening of the film "Sauve qui peut" (directed by Alexe Poukine)
Thursday, 8 January 2026 (9:00 > 19:00) – Screening at 17:00
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This screening will conclude the day's events entitled ‘Chair – Humanities in Health: a new branch in Grenoble’, co-organised by Dr Julia Champey (University Hospital) and Pauline Bouchet to mark the inauguration of a local branch of the Chair of Philosophy in Hospitals and Humanities in Health. Also on the programme for the day: presentations and a conference on initiatives exploring the humanities in health in the Grenoble area, as well as workshops.
Journal of Interdisciplinary Voice Studies - Volume 10, n°1-2 : Listen to Performance, Listen to Voices
Monday, 8 December 2025
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Online publication of the double special issue dedicated to listening to voices from the perspective of oral history and performance, within the Grenoble ecosystem, edited by Laura FANOUILLET and Gretchen SCHILLER. Research conducted as part of the IDEX CDP Performance Lab project from 2022 to 2025.
The Structure Fédérative de Recherche Création (n° FED 4269) coordinates research and educational activities around multidisciplinary creative practices and processes in arts, literature, languages and humanities and social sciences.
Its scientific approach is based on the following five main areas of research:
- The experimentation of new languages, forms and practices of creation
- The analysis of creative processes and practices
- The historical and temporal studies of creation
- The observation and criticism of the socio-cultural implications in artistic activities and the arts industry
- The reflection on the territorial and political aspects of creation
Established in the heart of the Grenoble Alpes University, it has been based since 2019 at the Maison de la Création et de l'Innovation (MaCI), a new University Research Support Unit (UUAR), where it manages the activity of Live Arts Lab and SONIMAGE technology platforms.